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I came back from New York at the end of September with a crash into playing catch up with my ordinary working life. October was upon me and I was facilitating a week of professional development alongside my longterm colleague Alan May.

Thanks to Bedminster Winter Lanterns achieving a successful Grants For The Arts bid from Arts Council England, I was delighted to co-lead a professional development in lantern making with Alan May last October. Blessed with a fabulous team of artists from those at the beginning of their professional practice to those with many years experience we set to work designing an experience in animated lanterns.

As a team of lantern makers it was an opportunity to explore light diffusion and puppetry within lantern making and develop new ways of working with colleagues in the region.

Hard on the heels of my return fron New York City it was a fabulous chance to Experiment with some new technical skills inspired by working alongside Processional Arts Workshop last September.

Alan May and I trained fresh artists from DNA arts and Boom Satsuma in the art of delivering a fast and furious community workshop. We collaborated with Richard Headen from The Desperate Men to develop a narrative for our large structures and built 3 new animated lantern structures.

FLO the giant girl, her jar of wonders and the moth were drawn to five different lantern events between October and January. Radstock Light The Night and Bath City Farm Bonfire Produced by DNArts and The Natural Theatre Company, Devizes Lantern Parade produced by DOCA. Church Road Lantern Parade produced by The Lamplighters and of course Bedminster Winter Lanterns.

Many thanks and credit to all the creatives involved Alan May, Steph Reeves, Megan Bentall Clarke, Ali Brown, Amy Peck, Ruth Ramsay, Becky Prior, Ruth Patchett, Niamh Peace, Dik Downey, Richard Headen, Phillips Haynes and Amber and Kathleen fromBoom Satsuma.ArtsCouncil_BritishCouncil_Lockup_Black